Academic Writing

‘Documenting Disappearance: A Day in the “Research Laboratory” of Iona and Peter Opie‘. Performance Research. (2020)

Bloomsbury Festival in a Box: engaging socially isolated people with dementia. Final Project Report to AHRC. (2014).

Arts on Prescription: a qualitative longitudinal outcomes study (co-authored with Dr Theodore Stickley). Public Health. (2013).

The Communality of the Underdeck-Dirty Pretty Surrealism. Sample chapter from PhD thesis. (2012).

‘Cells, Recesses, Tombs: Vertiginous Spaces in Bataille’s Le Bleu du ciel. MHRA Working Papers in the Humanities, Vol. 4.(2009).

Creative / Creative Critical

‘Funfair’. Mechanics Institute Review. (2021). (creative non fiction).

‘Fox Masks’. Reflex Press. (2020). (fiction)

‘May Day Interrupted’. Mechanics Institute Review. (2020).


‘Public Engagement in a Pandemic – lessons from Being Human’. Wonkhe. (2020).

When the Festivals Fell Silent’. Arts Professional. (2020).

‘Want to save the humanities? Try getting off your pedestal’Wonkhe. (2019).

‘6 Hidden Gems to Check Out as Part of this Free Festival’. Londonist. (2019).

‘Sex, solitude and secrets: what we learnt from Londoners’ anonymous diaries’. (With Elizabeth Dearnley). The i. (2018)

Tensions between the everyday and the exceptionalArts Professional. (2018).

Still Invited to the Party: Festival in a BoxArts Professional. (2016).

Festival in a Box: archives. Talking Humanities (blog). (2015).

Being Human: a new forum for public engagement with the humanities. NCCPE guest blog. (2014).