Writing

Recent Publications

‘Hopscotching the Opies: Playing (with) the Archive in Bloomsbury’. (2025). In, Playing the Archive: from the Opies to the Digital Playground. UCL Press.

‘When the Ghost Train Goes By‘. Crow & Cross Keys. (2024). (fiction).

‘The Rats of Rush Common’. Elsewhere: a journal of place. (2023). (creative nonfiction)

‘The Wood’. Spelt. Issue 7. (2022). (creative nonfiction)

‘The Pools’. Confluence. Issue 13. (2022). (fiction).

‘Afterword’. In, New Worlds, New Beginnings: Resilience and Connectivity through poetry’. Parthian Books. (2021).

‘Funfair’. Mechanics Institute Review. (2021). (creative nonfiction).

‘Fox Masks’. Reflex Press. (2020). (fiction)

‘May Day Interrupted’. Mechanics Institute Review. (2020).

‘Documenting Disappearance: A Day in the “Research Laboratory” of Iona and Peter Opie‘. Performance Research. (2020)

Media pieces and blogs

‘Local engagement, national conversation’. Arts Professional. (2025).

‘When the Festivals Fell Silent’. Arts Professional. (2020).

‘6 Hidden Gems to Check Out as Part of this Free Festival’. Londonist. (2019).

‘Sex, solitude and secrets: what we learnt from Londoners’ anonymous diaries’. (With Elizabeth Dearnley). The i. (2018)

Tensions between the everyday and the exceptional. Arts Professional. (2018).

Kindred Spirits? University/ cultural partnerships. Arts Professional. (2016).

Still Invited to the Party: Festival in a Box. Arts Professional. (2016).